视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。自古以来,如有奇人问世必天降异象。据说“隋炀帝”杨广出生的当天晚上本来皓月当空,明月如镜。当深宫中传来一声婴孩啼哭声之时,突然雷声大作,刹那间天昏地暗,倾盆雨注……炀帝取名杨广,乳名阿摩。生得一幅好面相,天庭饱满、浓眉大眼,眼闪星辉。极受其父文帝的宠爱。生性聪明好学、才智过人,有过目不忘之本领;脾气暴躁且极为要强,稍不如意就大打出手。宫中之人皆饱受......。
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