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《庚娘》取材于《聊斋志异》中的同名故事，描写明代末年某地渔家女尤庚娘和书生金大用生死不渝的爱情，歌颂了正义与刚烈，鞭挞了丑恶与不仁。 由陈士荣同志牵头，山东农民刁增湖、宋乃洪、宫学斌出资，南通电视台独建摄制组，拍摄9集电视剧《庚娘》。 导演：李洪喜副导演：司青华、丁小秋编剧：王毅棠、林雅宾、杨清禄、林默...等场记：邵美君、丁俐、薛梅摄像：姜伟、任大洪副摄像：黄佳德、李海剪辑：虢胜龙、魏克俊录像：虢胜龙、曹卫星、徐鹏程摄录技术：杭卓如、赵南阳灯光：李海、王建明化妆：唐丽萍化妆助理：海兰服装设计：司青华服装管理：黄荣寿、刘春英美工：刘兴昌、甄春亮效果：王跃、王林、李宝山道具：冯家骅、李东杰、杨硕剧务：陈维秀、甄慧敏、王芳字幕书写：阮倬云作词：李刚作曲：陈大伟独唱：陈海燕指挥：陈传熙演奏：上影乐团监制：滕杰...。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。