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Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。二三十年代的旧上海，笼罩在伪警察、黑社会、日本奸商、英国买办的恶势力下，老百姓愁云惨淡，敢怒不敢言。一群有志之士，立誓要与恶势力斗争，虽然手无寸铁，但他们凭借超凡的智谋和胆魄，设计一个又一个精彩绝伦的计谋，使坏人纷纷自投罗网、自相残杀、自食恶果。他们中有足智多谋、人称“骗侠”的韩飞；有善于化妆的司马佬；有弹弓神射手毛小奇；有精通机械工程的鬼马丁；有扮谁像谁的“一剪梅”；有“飞毛腿”小辫子……这些嫉恶如仇、身怀绝技的人们团结在一起，劫富济贫、支援抗日，用他们的血肉之躯谱写了一曲“乱世真情”。 在重重磨难中，韩飞赢得了大律师的女儿郑华的忠贞爱情；痴情的一剪梅挡住了射向韩飞的子弹；一心替父报仇的毛小奇，突然发现他的仇人竟然是自己最崇拜的“骗侠”……夫妻情、师徒情、父子情、朋友情是流淌在全剧中的又一片“乱世真情”。。唐家观茶商世家谌家以梅山茶举世闻名，二少爷谌器之打败兄长谌励之成为梅山茶传人，以守住梅山茶秘方和谌家祖宅为使命，却引得同父异母妹妹谌春华不满。谌春华为争夺家产和替母兄报仇，不惜牺牲色相与军官勾结，逼得谌器之设下空城计遁走新疆。谌春华不肯善罢甘休，谌器之被诬陷入狱，幸得发妻辜红倾家荡产搭救，才被替死救出。后化名伍家潜回唐家观。梅山茶重现，再度引起各方势力的明争暗斗。谌器之为死守秘方，不惜雪藏私定终身的表妹、赶走大儿子、逼死四姨太、不顾全家的死活。辜红苦撑家业，但不敌四方暗算，只得自杀保全秘方。昌盛一时的谌家最终繁华落尽。谌器之临死前大彻大悟，把辛苦保全的秘方交给大儿子，要他继续造福世人。。