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明熹宗朱由校年少即位，酷爱木工、漆匠之艺，视朝政为畏途，使得太监魏忠贤得以逐步代理政务。 魏忠贤为了讨好皇帝，从三万童男中，挑出小木匠巴大家当熹宗皇帝的玩伴。皇帝玩伴理当是个太监，巴大家却阴错阳差的三番两次逃过净身手术。他和皇帝平起平坐惯了，有时忘了我，也跟皇帝称兄道弟起来，皇帝玩得尽兴便没事，要是心情不好，“兄弟”就成了出气筒。 巴大家的处世哲学是：混一天算一天，多占点小便宜，偶而吃点亏，一定得讨回，一旦对方来头大，那就君子报仇，三年不晚。 这样的巴大家，在东林党、阉党、与白莲教暗地教劲的过程中，因为他与皇帝的亲密关系，竟成了各方人马争相拉拢的对象。只不过，倒向这头，就会得罪那头，既是左右逢源，又是动辄得咎。他满心想的只是如何占便宜、混日子，却老被误以为是争权夺利。他越想走避上层的勾心斗角，却越身不由己的被卷入政争旋涡。 只有宫中的内书堂助教袁小玉...。In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power. Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute. Eva Näripe。